#Jamuna kinare mora gaon lyrics full
#Jamuna kinare mora gaon lyrics series

Kathwa ke naiya banaihe malahwa by Chitalkar, Lalita Deolkar, P Chandar, SN Puri from Nadiya Ke Paar (1948), lyrics Moti B.A., music C Ramchnadra Shanta Apte looks quite filled up compared to what one has seen her in the videos of the thirties.ģ. But that is a matter for an exclusive post on her. I came to know of her in Doordarshan era and now, of course, in the internet era. It is surprising why she was not on AIR’s radar screen.

While in the radio era, I was quite familiar with Kanan Devi, I do not recall hearing a Shanta Apte song. Both overcame social prejudices about ladies from good families joining films. Both came from strong classical and regional traditions – One Rabindrasangeet, the other Marathi Natya-sangeet.

Both did bilingual films – one Hindi/Bengali the other Hindi/Marathi. Both leading actor-singers of two important epicenters of film making in the earliest era. Shanta Apte was to Prabhat Films (Kolhapur/Poona/Bombay) what Kanan Devi was to New Theatres (Calcutta). Aaj meri naiya kinare lagi ho by Shanta Apte from Valmiki (1944), lyrics Mahesh Gupta, music Shankarrao Vyas This short piece by Zohrabai Ambalawali is special because of the delightful scene of a bevy of girls frolicking in the water.Ģ. Man ki naiya lagi kinare by Zohranbai Ambalawali from Shakuntala (1943), music Vasant Desai For the time being, to complete the river and boat journey here are some songs of kinare (shore).ġ.

#Jamuna kinare mora gaon lyrics series

Thus that is a very different journey which we may explore in a different series of posts. But what if Raah bani khud manzil because Saath jo aye tum. Parallel to nadi-naav-navik-kinara can be seen raah-musafir-safar-manzil. But you may not venture into the uncertain river because Door hai kinara gahri hai dhara, and may prefer instead to enjoy the beauty from the bank.

#Jamuna kinare mora gaon lyrics full

That was of people full of despair and dejected from life. Even on the river bank, betrayed in love someone may sing, Chale ja rahe hain mohabbat ke marey, kinare kinare kinare kinare. While Kareena Kapoor is sure about her destination (or she thinks so), in the same compartment Shahid Kapoor, betrayed in love and estranged from his step-mother, is taking a journey to nowhere. An interesting train journey is in the recent Jab We Met. Devdas takes an endless journey in a train to nowhere, accompanied by his family retainer when he has lost all hopes in life. When his co passenger asks him where is he headed, his simple answer is Pataa nahi ( Deewar).

The labour union leader, Satyen Kappu, shamed into running away from home as he surrendered the workers’ demands on being subjected to impossible threats by the mine owner, is next seen in a train. Films are replete with train journeys to nowhere. The boat has to reach its shore, and the journey is not complete till you have reached kinare.ĭoes every journey have to end at a destination? With boat, may be. But I had missed a crucial element as I realised from Ashok Vaishnavji’s comments. When I wrote on the songs of nadi and naav sometime back, I thought one kind of journey was complete (with Harvey’s majhi).